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a0 and a1 remain arbitrary. If we set a0 1, a1 0, we obtain a2 a0 1, a3 0, a4 0, etc., and y1 1 x 2. If we set a0 0, a1 1, we obtain y2 x. This is a basis of solutions. To make sure that we did not make a mistake at the beginning, we could write the first few terms explicitly, namely, the constant, linear, and quadratic terms of each series and check our result. This gives (2a2 x 2 ) 2a1x 4a2 x 2 2a0 2a1x 2a2 2a2 x 2 6a3 x 12a4 x 2 .

nimated splash screens, sound-enabled banners, button bars with special fonts, and other exciting Web elements are often built with Adobe s Flash. Flash combines vector graphics and streaming audio into great-looking, very-low-bandwidth files that can be viewed in a browser using the Flash Player plugin. Flash s vector graphics have also turned out to be just the thing for Web-based animations. Beginning with version 4, Flash gained its own scripting language, ActionScript, and added MP3 compression to its streaming audio. Over later versions, Flash morphed into a solid application platform, with player implementations in cell phones, handheld devices, and even billboards. With a huge base of installed Web-based players as of this writing, well over 90 percent of browsers can view basic Flash content Flash is an excellent way to liven up a Web page. As you might expect, Adobe makes it easy to incorporate Flash files into your Dreamweaver projects. All these formats have special objects that provide control over nearly all their parameters through the Property inspector and each format is cross-browser compatible by default. To take full advantage of the enhanced graphics potential of Flash you need to understand the various parameters available to each format. In addition to covering this material, this chapter shows you how to use independent controls both inline and with frames for your Flash movies. In addition to giving you all you need to know about working with Flash files and Dreamweaver, this chapter also covers related Adobe technologies, including FlashPaper and Shockwave.

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1. Choose Edit Preferences (Dreamweaver Preferences) to open the Preferences dialog box and then click the Validator category to display the Validator options (see Figure 30-3). 2. Select the languages you want the Validator to check against.

what the components are and how they are interconnected. De Kleer and Brown state it well when they describe the topology of a machine:

Special Characters Inserts the HTML code for the Copyright/Registered/ selected character entity Trademark/Pound/ Yen/Euro/Em-Dash/ Left Quote/ Right Quote Special Characters Other Get More Objects Opens the Insert Other Character dialog box to choose a special character Connects to the Dreamweaver Online Resource Center

Armed with these insights, she can deal with her staff more intelligently than if she based her actions on her gut response to their seeming intransigence. She should recognize that her introverted staff are not stubborn and irresponsible. To the extent that they may see her intrusions as re ecting super cial thinking, she might explain to them how missing deadline dates might trigger contract penalties, and certainly will result in customer unhappiness. Also, she should avoid hovering over the staff members, thereby constantly invading their space. Jung pointed out that there are two basic ways in which people perceive the world around them. Sensing individuals make full use of their ve senses. They base their perceptions of the world directly on information garnered from sight, sound, touch, taste, and smell. Operationally, they have a high regard for facts that is, data gathered directly through the senses. Like Sergeant Friday in Dragnet, a popular police drama of the 1950s and 1960s, they are principally interested in the facts, ma am, just the facts. They also derive great pleasure from using their senses. Intuitive individuals take information they gather through their senses and massage it. They are not concerned with facts for the sake of facts, but rather with the possibilities that the facts suggest. Using their imagination, they are more interested in how things might be than with how they actually are. Imaginative people are often strongly intuitive. As with extraverts and introverts, con icts can arise between sensing and intuitive types. Sensing individuals tend to see intuitive individuals as playing fast and loose with the facts, while intuitive individuals see sensing types as prosaic and unimaginative.

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